Watch the lads talking about 'Sound Of A Broken Heart', in the Westlife.com mediaplayer. There's also a little preview of the song.
click here to watch track by track - sound of a broken heart
Credits: westlife.com
Saturday, November 28, 2009
Track by Track - 'No More Heroes'
Watch the lads talking about 'No More Heroes', in the Westlife.com mediaplayer. There's also a little preview of the song.
click here to watch track by track - no more heroes
Credits: westlife.com
click here to watch track by track - no more heroes
Credits: westlife.com
Track by Track - 'Another World'
Watch the lads talking about 'Another World', in the Westlife.com mediaplayer. There's also a little preview of the song.
click here to watch track by track - another world
Credits: westlife.com
click here to watch track by track - another world
Credits: westlife.com
Where We Are' lyrics available
With Westlife's brand new album 'Where We Are' released on Monday, we've added the lyrics to every track on the album to the lyrics section!
Check them out here and remember to comment about your favourites!
Source & Credit:Westlife.com
Check them out here and remember to comment about your favourites!
Source & Credit:Westlife.com
Westlife - 'Where We Are' BBC Review
Album. Released 30 November 2009
The boyband’s seventh album of originals sets its sights on the US market.
Mike Diver
Despite their amazing UK sales, Westlife have never conquered the American market. So what, you might think. Who cares about flogging a few more albums in the States? Clearly the powers that be behind the Irish quartet do.
Where We Are sees Louis Walsh’s charges working with a host of writers with plenty of experience in the US charts. Ryan Tedder of OneRepublic, who also contributed to Leona Lewis’ Echo, delivers Shadows. It’s a blustery ballad, and a much edgier arrangement than many of Westlife’s previous hits. That it still features a trademark key change, aka The Moment They Get Off Their Stools, rather lessens its effectiveness, but you’ve got to give the fans what they want.
Which, mostly, Where We Are does. Nobody buys Westlife records for the radical progressions contained within; their albums disappear from the shelves because they’re a safe bet. In 11 years their style has barely changed, and it’s this consistency, more than anything else, that’s been the cornerstone of their success. Gently swaying numbers like Talk Me Down and As Love is My Witness, the latter penned by 1990s flash-in-the-pan Conner Reeves, are aural potpourri, pleasant at a distance but distinctly unpalatable up close. And that’s fine, it’s to be expected.
But there are surprises on this disc. US producer Scott Cutler generates a little heat with The Difference, where the percussion rises like an arena-filling Coldplay anthem. Lead single What About Now – originally released by Daughtry and written by Ben Moody, formerly of Evanescence – is similarly indie-influenced, with guitar high in the mix. It’s every bit as immediate as Take That’s comeback material, and will have fingers tapping on steering wheels in earnest during drive time plays. Steve Booker, who recorded alongside George Clinton in the 1970s, contributes Another World, which is this album’s soulful highlight.
Yet the songs never stray too far from safety. Closer I’ll See You Again is typical torch song fare, executed with the efficiency fans have come to expect, and several others stick to a formula that’s served Westlife well, but does now sound dated. The best tracks could see them stir interest in the US like never before, but they’ll need to go for broke stylistically next time if attentions are to be retained. And it can’t hurt to try – if it’s got Westlife written on it, it’ll sell splendidly across these isles whatever the product.
Credit/Source: bbc.co.uk
The boyband’s seventh album of originals sets its sights on the US market.
Mike Diver
Despite their amazing UK sales, Westlife have never conquered the American market. So what, you might think. Who cares about flogging a few more albums in the States? Clearly the powers that be behind the Irish quartet do.
Where We Are sees Louis Walsh’s charges working with a host of writers with plenty of experience in the US charts. Ryan Tedder of OneRepublic, who also contributed to Leona Lewis’ Echo, delivers Shadows. It’s a blustery ballad, and a much edgier arrangement than many of Westlife’s previous hits. That it still features a trademark key change, aka The Moment They Get Off Their Stools, rather lessens its effectiveness, but you’ve got to give the fans what they want.
Which, mostly, Where We Are does. Nobody buys Westlife records for the radical progressions contained within; their albums disappear from the shelves because they’re a safe bet. In 11 years their style has barely changed, and it’s this consistency, more than anything else, that’s been the cornerstone of their success. Gently swaying numbers like Talk Me Down and As Love is My Witness, the latter penned by 1990s flash-in-the-pan Conner Reeves, are aural potpourri, pleasant at a distance but distinctly unpalatable up close. And that’s fine, it’s to be expected.
But there are surprises on this disc. US producer Scott Cutler generates a little heat with The Difference, where the percussion rises like an arena-filling Coldplay anthem. Lead single What About Now – originally released by Daughtry and written by Ben Moody, formerly of Evanescence – is similarly indie-influenced, with guitar high in the mix. It’s every bit as immediate as Take That’s comeback material, and will have fingers tapping on steering wheels in earnest during drive time plays. Steve Booker, who recorded alongside George Clinton in the 1970s, contributes Another World, which is this album’s soulful highlight.
Yet the songs never stray too far from safety. Closer I’ll See You Again is typical torch song fare, executed with the efficiency fans have come to expect, and several others stick to a formula that’s served Westlife well, but does now sound dated. The best tracks could see them stir interest in the US like never before, but they’ll need to go for broke stylistically next time if attentions are to be retained. And it can’t hurt to try – if it’s got Westlife written on it, it’ll sell splendidly across these isles whatever the product.
Credit/Source: bbc.co.uk
Westlife - Where We Are review
Tracklisting: 1. What About Now 2. How To Break A Heart 3. Leaving 4. Shadows 5. Talk Me Down 6. Where We Are 7. The Difference 8. As Love Is My Witness 9. Another World 10. No More Heroes 11. Sound Of A Broken Heart 12. Reach Out 13. I'll See You Again
Record Company: Sony Music
Release Date: Monday 30th November 2009
Buy it now:
Westlife they have been around for quite a while now haven’t they? Impressively they managed to become one of the biggest selling boybands around (there being a lack of boybands lately) with their first seven singles going straight to number 1 there is no disputing that these guys are not just posers but also talented. After a well deserved break Westlife are back with their brand new album Where We Are. What did we think?
First track is current single What About Now one of the best tracks on the album we have to say. With its dramatic piano opening and Filan’s angelic voice serenading us it is clear why Westlife chose this as their lead single. Perfect for the festive season What About Now has some of that optimism that we all need after a long year.
How To Break A Heart is our little guilty pleasure. It’s cheesy yes but it has one of the catchiest chorus’ ever and we can’t stop singing those haha’s every time we reach the chorus.
All of sudden we realise that there is a pattern with most Westlife songs they always start off humbly and finish off in the most grandiose way. Harmonies now that is something these guys know how to do. Looks like ten years of practice has perfected their talent.
Sound Of A Broken Heart has that Westlife trademark sound think If I let You Go. It’s not great (as in we’ve heard this song before) but it will probably appeal to all the Westlifers out there.
Reach Out is another classic Westlife. This one is all about the harmonies and the chorus is extremely catchy and will probably get stuck in your head for a few hours once you are done listening to it. It’s good and especially when we reach the peak of the song.
Highlights on the album include Talk Me Down the only tame song on the album and it’s actually quite refreshing. Feehily is accompanied by piano and sounds painfully sad. Its simple stuff and we love it especially when it reaches its peak. The title track of the album Where We Are is by far the best track on the album and is without a shadow of a doubt a hit waiting to be unleashed. Most infectious melodies and harmonies we have heard in long time.
Westlife have almost accomplished the impossible by overcoming the death of boyband era and losing one of their members and yet getting bigger and bigger over the years. It seems that as long as you can sing and you have stage presence (and look good) there is nothing there to stop you. The album boasts some excellent pop songs/ballads and it’s only a shame that the last few tracks aren’t as catchy. Where We Are is the best we have heard from Westlife in years granted we are not the biggest connoisseurs in the matter but that’s our opinion.
Credit/Source: www.entertainment-focus.com
Record Company: Sony Music
Release Date: Monday 30th November 2009
Buy it now:
Westlife they have been around for quite a while now haven’t they? Impressively they managed to become one of the biggest selling boybands around (there being a lack of boybands lately) with their first seven singles going straight to number 1 there is no disputing that these guys are not just posers but also talented. After a well deserved break Westlife are back with their brand new album Where We Are. What did we think?
First track is current single What About Now one of the best tracks on the album we have to say. With its dramatic piano opening and Filan’s angelic voice serenading us it is clear why Westlife chose this as their lead single. Perfect for the festive season What About Now has some of that optimism that we all need after a long year.
How To Break A Heart is our little guilty pleasure. It’s cheesy yes but it has one of the catchiest chorus’ ever and we can’t stop singing those haha’s every time we reach the chorus.
All of sudden we realise that there is a pattern with most Westlife songs they always start off humbly and finish off in the most grandiose way. Harmonies now that is something these guys know how to do. Looks like ten years of practice has perfected their talent.
Sound Of A Broken Heart has that Westlife trademark sound think If I let You Go. It’s not great (as in we’ve heard this song before) but it will probably appeal to all the Westlifers out there.
Reach Out is another classic Westlife. This one is all about the harmonies and the chorus is extremely catchy and will probably get stuck in your head for a few hours once you are done listening to it. It’s good and especially when we reach the peak of the song.
Highlights on the album include Talk Me Down the only tame song on the album and it’s actually quite refreshing. Feehily is accompanied by piano and sounds painfully sad. Its simple stuff and we love it especially when it reaches its peak. The title track of the album Where We Are is by far the best track on the album and is without a shadow of a doubt a hit waiting to be unleashed. Most infectious melodies and harmonies we have heard in long time.
Westlife have almost accomplished the impossible by overcoming the death of boyband era and losing one of their members and yet getting bigger and bigger over the years. It seems that as long as you can sing and you have stage presence (and look good) there is nothing there to stop you. The album boasts some excellent pop songs/ballads and it’s only a shame that the last few tracks aren’t as catchy. Where We Are is the best we have heard from Westlife in years granted we are not the biggest connoisseurs in the matter but that’s our opinion.
Credit/Source: www.entertainment-focus.com
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